A Tragedy of the Commons
(To view close ups of the prints from A Tragedy of the Commons view the Prints & 2D Works page)
Installation view of works from A Tragedy of the Commons, SNAP Gallery, Edmonton, Canada, 2026 (Image credit: Blaine Campbell)
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We Connect our System to Other Systems with Spokes, inkjet, relief, wood, paper, glue, with acrylic varnish, 2026 (Image credit: Blaine Campbell)
Installation view of works from A Tragedy of the Commons, with Expanded Anatomies (Drum) in the foreground, Projective Eye Gallery, University of North Carolina, Charlotte, USA, 2026.
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Installation view of A Tragedy of the Commons exhibition, Elsie B. Rosefsky Art Gallery, Binghamton University, New York, USA, 2024
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Expanded Anatomies
Expanded Anatomies, wood, paper, glue, with acrylic varnish, variable dimensions, 2024 (Image credit: Blaine Campbell)
Expanded Anatomies: Collection #2, wood, paper, glue, with acrylic varnish, variable dimensions, 2024 (Image credit: Blaine Campbell)
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Expanded Anatomies: Collection #1, wood, paper, glue, with acrylic varnish, variable dimensions, 2024 (Image credit: Blaine Campbell)
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Expanded Anatomies (Long Nose), wood, paper, glue, with acrylic varnish, 2024 (Image credit: Blaine Campbell)
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Expanded Anatomies (Bust and Head), wood, paper, glue, with acrylic varnish, 2022 (Image credit: Blaine Campbell)
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Expanded Anatomies (Torso), wood, paper, glue, with acrylic varnish, 2022 (Image credit: Blaine Campbell)
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Expanded Anatomies (Vascular System), wood, paper, glue, with acrylic varnish, 2026 (Image credit: Blaine Campbell)
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Powerline
2020 Borderline Biennial of Contemporary Art, Art Gallery of Alberta, variable dimensions, 2020.
Bust Study #1, wood, paper, glue, with acrylic varnish, 21” x 18 ½” x 7 ¼”, 2020. (Photo credit: Blaine Campbell.)
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Bust Study #2, wood, paper, glue, with acrylic varnish, 30 ½” x 14” x 8,” 2022. (Photo credit: Blaine Campbell.)
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Cloud, wood, paper, glue, with acrylic varnish, 40 ½” x 10” x 6,” 2020. (Photo credit: Blaine Campbell.)
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Details of Powerline, 2020 Borderline Biennial of Contemporary Art, Art Gallery of Alberta, variable dimensions, 2020. (Photo credit: Charles Cousins)
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Studio view and details of Powerline, carved wood and mixed media, variable dimensions, 2020. (Photo credit Blaine Campbell.)
Evolving Anatomies
Dyscorpia exhibition, Enterprise Square, Edmonotn, Canada, 2019
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Installation view of Evolving Anatomies (collaborative work with Marilene Oliver and Scott Smallwood), Enterprise Square, Dyscorpia exhibition, carved wood, silkscreen, plexiglass, wax, video projection, variable dimensions, 2019.
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Details of Evolving Anatomies, (collaborative work with Marilene Oliver and Scott Smallwood) carved wood, silkscreen, plexiglass, wax, video projection, variable dimensions, 2019. Click to zoom in.
Installation view of Evolving Anatomies (collaborative work with Marilene Oliver and Scott Smallwood), second version, carved wood, plexiglass, wax, video projection, variable dimensions, 2019.
Deadweight
Vernon Public Art Gallery, British Columbia, Canada, 2018.
Installation view of Deadweight, ink, plywood, found tree branches, central and wall panels approximately 10ft x 22ft, Vernon Public Art Gallery, 2018. Mezzotint prints in the background. (Photo Credit: Yuri Akuney)
Detail view of Deadweight, ink, plywood, found tree branches, Vernon Public Art Gallery, 2018. (Photo Credit: Yuri Akuney)
Firedamp
dc3 Art Projects, Edmonton, Alberta, Canada, 2016.
Installation view of Firedamp exhibition, dc3 Art Projects, Edmonton, Alberta, Canada, 2016. (Photo Credit: Blaine Campbell)
Installation view of Firedamp exhibition, with paste-up of printed section of The Flood on the back wall, dc3 Art Projects, Edmonton, Alberta, Canada, 2016. (Photo Credit: Blaine Campbell)
The Flood
Art Gallery of Alberta, Canada, 2016.
Public installation of section of The Flood, printed gampi pasted on wall with starch glue, Churchill LRT Station, Edmonton, Alberta, Canada, 2016.
(Photo Credit: Blaine Campbell)
